Learning how to hire a ghostwriter for your project can be a daunting prospect. Working on a book with another person means that you're going to be sharing thoughts and opinions, solving problems, and trying to mind-meld — all at the same time. It all adds up to a pretty intimate experience. Needless to say, it's not easy to find someone you can trust with that connection who also has the experience to pull off your book.
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Ghostwriters are writers for hire who are paid but receive none of the credit for the work produced. When someone wants to create new copy for a website, a ghostwriter may be hired to rewrite existing copy. There are many similar jobs such as writing ad or business copy, or supplying new or rewritten material for personal or professional use. The ghost is hired primarily as a professional freelance writer, in order to produce high-quality writing copy that reads professionally. A paid professional freelance writer is often the only source to turn to get sparkling, well-written website copy or other quality content. A ghost is hired to bring this about, either as an on staff writer or as a freelance writer who is paid specifically for the job at hand. Ghostwriters are also hired to write books for people.
A ghostwriter is hired to write literary or journalistic works, speeches , or other texts that are officially credited to another person as the author. Celebrities, executives, participants in timely news stories, and political leaders often hire ghostwriters to draft or edit autobiographies, memoirs, magazine articles, or other written material. Memoir ghostwriters often pride themselves in "disappearing" when impersonating others since such disappearance signals the quality of their craftsmanship. Screenplay authors can also use ghostwriters to either edit or rewrite their scripts to improve them. Usually, there is a confidentiality clause in the contract between the ghostwriter and the credited author that obligates the former to remain anonymous.
My twin sister and I were born in Paris in , and grew up in France, England, and mostly the suburbs of Michigan. I launched my career at Cosmopolitan, where my editorial responsibilities included stopping good-looking men on the street and asking them funny questions. Two of my favorite stories were about New Yorkers who wore only one color and NYC kids making bank with lemonade stands.